This series merges mother of pearl's material essence with Korean paintings' spatial logic, reimagining the interplay of fullness and emptiness.
It evolves traditional craft into a study of pictorial space, where light-sensitive fragments are meticulously arranged through reduction.
In this context, "empty space" is an active field sustaining form. Absence becomes structure, where deliberate calibration and open space define meaning beyond visible imagery, resolving into a field balanced by tension.
- DUCOBI